FunHomeBookCover radioactive-cover ware

GRAPHIC NOVELS! INFO COMICS! TRANSMEDIA KNOWLEDGE!

ENGL 1168 F24 • TuTh 1:25-2:40 • Rockefeller 103 • Prof. Jon McKenzie jvm62@cornell.edu • Office: Tues 3:00-4:00 • TBD
Google folder link  •     Cornell Library Catalogue   
OWL MLA citation guideZoom linkMake Media! resources

Graphic novels and comics have long mixed research and storytelling. From Maus to Logicomix to Fun Home, graphic novelists often tackle complex historical, scientific, and literary issues. The For Beginners and Introducing… comic books series include such titles as Climate Change for Beginners, Black Women for Beginners, Quantum Theory, Mind and Brain, and Einstein. Finally, the field of graphic medicine translates medical science into info comics for patients and other at-risk communities.

Supporting Cornell’s public mission of community engagement, this First-year Writing Seminar teaches students to read and compose argumentative essays, info comics, multimedia presentations, and other genres of transmedia knowledge. Transmedia knowledge translates ideas, stories, and images across different media in order to engage different audiences and produce different rhetorical effects.

We will focus on writing as thinking, learning to analyze, create, and share concepts through both argumentation and storytelling across different scholarly genres. Descriptions of evidence often take narrative form, as does the history of any field, institution, or community. Moreover, specialized knowledge often applies and legitimates itself through the stories it shows and tells in the broader world. We will study and write about this process through examples drawn from graphic medicine, science communication, literary studies, and media studies.

Projects

Students complete six writing projects—descriptive analysis, conceptual analysis, information comics, comparative analysis, and a term paper and formal presentation—focusing on skills of reading, outlining, drafting, reviewing, revising, and finalizing texts. 

Traditional and emerging scholarly genres often seek to inform, enlighten, convince, persuade, and sometimes entertain and move readers. You will learn critical and creative skills for thinking, sharing research, and creating impact with different audiences, including specialists, community members, and the general public.

Evaluation

All projects are worth 10% of your final grade, except for the term paper, which is worth 30%, and the final presentation, which is rolled into participation. Participation, which also includes attendance, discussion, and contribution to revisions, is worth 20%. Two absences may result in final grade reduction; three in failure. 

Learning outcomes

Conceptual analysis and synthesis
Argumentation and narrative
Individual and collaborative problem-solving
Outlining, storyboarding, sparklining
Presentation and discussion skills
Media skills in software such as Word, Comic Life, and PowerPoint

Academic Integrity

Each student in this course is expected to abide by the Cornell University Code of Academic Integrity. Any work submitted by a student in this course for academic credit will be the student’s own work. 

Inclusivity

The English department is committed to providing an atmosphere for learning that respects diversity. While working together to build this community we ask all members to:

Share their unique experiences, values and beliefs
Be open to the views of others
Honor the uniqueness of their colleagues
Appreciate the opportunity to learn from each other
Keep confidential discussions of a personal (or professional) nature
Discuss ways we can create an inclusive environment

Accommodations for students with disabilities

In compliance with the Cornell University policy and equal access laws, I am available to discuss appropriate academic accommodations that may be required for student with disabilities. Requests for academic accommodations are to be made during the first three weeks of the semester, except for unusual circumstances, so arrangements can be made. Students are encouraged to register with Student Disability Services to verify their eligibility for appropriate accommodations. 

Cornell Writing Centers 

The Cornell Writing Centers (WC) is a free resource available to everyone on campus for nearly any kind of writing project: applications, presentations, lab reports, essays, papers, and more. Tutors serve as responsive listeners and readers who can address questions of confidence, critical reading, analytic thought, and imagination. Writing tutors also have experience working with non-native speakers of English. The WC are open Mon-Thurs, 3:30 – 5:30pm (Mann Library & Rockefeller Hall 178) and Sun-Thurs 7:00 – 10:00pm (Olin library Room 403; Uris Library Room 108; Tatkon Center Room 3343). Writers can schedule appointments or drop in at a convenient time. For more info:  https://cornell.mywconline.net/

Project 5 and 6 assignment

Workshops
Peer editing of drafts

Slide deck

Select and summarize books
Gather articles and perspectives
Strengthen your abstracts with concepts from course readings and external research

Guiding Resources
OWL Proposals
OWL Abstracts
OWL Annotated Bibliography
Sample Bibliographies

Missing law of universe
Salon article
SciTechDaily article
Times of India article
Independent articles
Cornell A&S article
NAS article

Sample student papers
Albert He
James Koga

Schedule

 TuesdayThursday
Week 1 Introduction8/27 Welcome8/29 Read and discuss
Hopkins, et al. It Takes a Village, Part 1
Horton 1-40
Project 1 assignment
Week 2 Descriptive Analysis9/3 Read and discuss
Hopkins, et al. It Takes a Village, Part 2 and Part 3.
9/5 Workshop
Draft essays due
Peer editing 
Week 3 
Conceptual Analysis
9/10 Project 1 Due 
Project 5 and 6 assignment
Resources
Cornell Library Comics and Graphic Novels 
Comics for Collectors
Comics in Education
iStoryStudio
For Beginners series
Wake the Form: Artists’ Books in Context
Werner Pfeiffer’s Book-Objects and Artist Books
9/12 Read and discuss
Horton 41-50
Birch, “Culturally Competent Care”
Borges, “The Fearful Sphere of Pascal”
Project 2 assignment
Week 4 Conceptual Analysis9/17 Studio
Guide to abstracts
Sample abstracts
Lanham, “Who’s Kicking Who?”  



9/19 Workshop
Rubric

Sample essays
Nguyen – AI: Modern Frankenstein
Sakakisara – Atomic Reconstruction
Week 5 
Conceptual Analysis
9/24 Project 2 Due


9/26 Project 3 assignment
Sparkline
Guide
Rubric
Week 6
Information Comic
10/1 Sparklines and Dialogues

Read 
Caldwell, “Information Comics”
McCloud, Understanding Comics, i-23

Student info comics
Water We
Living at the Intersection
Prisoners Sentenced to Death in Tanzania
The Evolution of the Atomic Model

Slide deck
10/3 Workshop
Draft dialogues due
Install free Comic Life  










Week 7
Information Comic  
10/8 Dialogues and Storyboards
McCloud, Making Comics 8-57
Madden, 99 Ways to Tell a Story
Sample storyboard 1
Sample storyboard 2
Workshop
CDC Zombie Pandemic
10/10 Draft dialogues due








Week 8
Information Comic 
10/15 NO CLASS
10/17 Peer editing
Draft info comics due
Week 9
Research Proposal and Annotated Bibliography
10/22 Peer editing
Draft info comics due

Draft dialogues due

Proj 3 dialogue option

Sample dialogues:
Plato
Ronell
Cixous/Clement
10/24 Open workshop








Week 10
Research Proposal and Annotated Bibliography
10/29  Project 3 Due

Reassign Project 4/5/6

Online info comics/graphic narratives
Zombie Pandemic
The Boat
A Second Chance
Fallen of World War II
First Woman
Forensic Architecture

Notes toward Your Longer Essay
10/31 Taking Notes

Read and discuss
Horton 131-135, 136-147

Notes toward Your Longer Essay




Week 11  The Longer Essay11/5 Description and Abstract Workshop
Peer editing

Read
Horton 155-202
Watch
Victor, “Media for Thinking the Unthinkable” (6 min clip) Victor













11/7 Proposal abstract
Proj 4 Due

Workshop
Peer editing

Summarize books
Gather articles and perspectives
Strengthen your abstracts with concepts from course readings and external research

Guiding Resources
OWL Proposals
OWL Abstracts
OWL Annotated Bibliography
Sample Bibliographies

Sample student papers
Albert He
James Koga
Week 12 11/12 Theory Matrix and Abstract Workshop
Bring in abstract and notes

Queneau, Exercises in Style
Class notes on transmedia flow
11/14  Outline/Sparkline Workshop
Outline/Sparkline worksheet
Slide deck

TUTOR TEXTS
Jesse Krimes, Voices from the Heartland (2022) 
Temple Grandin: The world needs all kinds of minds (2010)
Dan Featherstone, Barabuieria (1986)
Andy Griffith, What It Was, Was Football (1953)
Week 1311/19 Pecha Kucha workshop

Make Media! resources   
Student Pecha Kucha decks
11/21 Draft due of Project 6

Week 14
THANKSGIVING
 11/28 NO CLASS11/30 NO CLASS
Week 15  12/3 Workshop and Evaluations12/5 Project 5 Presentations
Finals WeekFinal paper due in Google Folder 

Readings

Required books

Horton, Susan R. 1982. Thinking through Writing. Baltimore and London: Johns Hopkins.


Required readings (pdf downloads)

Baetens, Jan and Hugo Frey. 2015. The Graphic Novel: An Introduction. Cambridge: Cambridge University Press.

Czerwiec, MK, Ian Williams, Susan Merrill Squier, Michael J. Green, Kimberly R. Myers, and Scott T. Smith. 2015. Graphic Medicine Manifesto. University Park, PA: The Pennsylvania State University Press.

Duarte, Nancy. 2007. Resonate: Present Visual Stories that Transform Audiences. Sebastopol, CA: O’Reilly Media.

Flowers, Ebony. 2017. “Experimenting with Comics: Making as Inquiry.” Visual Arts Research 43: 2 Winter, pp. 21-57.

McCloud, Scott. 2006. Making Comics. New York: Harper.

Horton, Susan R. 1982. Thinking through Writing. Baltimore and London: Johns Hopkins.

McLaughlin, Jeff. 2017. Ed. Graphic Novels as Philosophy. Jackson, MS: University Press of Mississippi.

Mickwitz, Nina. 2016. Documentary Comics: Graphic Truth-Telling in a Skeptical Age. London: Palgrave Macmillan.

The Healthy Aboriginal Network. 2012. It Takes a Village. n.p.: The Healthy Aboriginal Network.


Recommended for term paper topic:

Wyrick, Deborah Baker. 1998. Fanon for Beginners. Danbury, CT: For Beginners.

Bechdel, Allison. 2006. Fun Home: A Family Tragicomic. Boston: Houghton Mifflin.

Redness, Laura. 2011. Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout. New York: !t Books.

Ware, Chris. 2012. Building Stories. New York: Pantheon Press.

The Healthy Aboriginal Network. 2012. It Takes a Village. n.p.: The Healthy Aboriginal Network.